Showing posts with label Awards. Show all posts
Showing posts with label Awards. Show all posts

Saturday, December 31, 2011

2011 Person of the Year


I know I am a couple of weeks late writing on this story, but I would just like to take a moment to give credit to Time Magazine's choice for the 2011 Person of the Year: The Protestor.

Photo from Huffington Post

Clearly the biggest news story of the year were the protests that arose in the Arab World, and that soon spread to other parts of the globe as well (including in the United States with the Occupy Wall Street movement).  Discontent at those in charge is something that so often gets talked about, but very little ever get's done about it.  Sometimes, a person get's kicked out of elected office, and the next person to replace them is either just as ineffective, or worse than the person they replace.  Occasionally, you see a massive uprising against one's government in a foreign country, but that ultimately falter via government crackdown through brutality and fear (e.g. Iran, 2009).

But this year was different.  Why this year, and not any other year?  It is hard to say.  Time Magazine writer Kurt Anderson writes this:
It's remarkable how much the protest vanguards share. Everywhere they are disproportionately young, middle class and educated. Almost all the protests this year began as independent affairs, without much encouragement from or endorsement by existing political parties or opposition bigwigs. All over the world, the protesters of 2011 share a belief that their countries' political systems and economies have grown dysfunctional and corrupt — sham democracies rigged to favor the rich and powerful and prevent significant change. They are fervent small-d democrats.
For most years, Time would bestow this distinction to one individual, but in more recent years, it seems they have given the "person" of the year (singular) to groups of individuals.  Examples include "The Peacemakers" (1993; represented Yasser Arafat, F.W. de Klerk, Nelson Mandela, and Yitzhak Rabin), "The American Soldier" (2003), and the lazy and pandering "You" in 2006 (representing people who post things on the internet).  Of course, this year falls under that category of multiple winners as "Person of the Year", and "protesters" they couldn't have picked a more appropriate choice.

But what if you did have to pick just one person to represent the whole protest movement?  Quite a daunting task considering that the number of individuals involved in protest movements around the world this year are (at a minimum) in the hundreds of thousands, if not in the millions.  In addition, there is not one person who is primarily in charge of any of these movements, nor one individual that is the "face" of any of these movements, other than the faces of some of the despots who the protestors are demonstrating against to begin with (e.g. Mubarak, Gaddafi, Putin, etc.).  These were truly democratic movements in every sense of the word.  But there is one person, however, that can earn this distinction, because without him, all of these demonstrations may have never even started (or had the impact that they did).

Many people have suggested (and I happen to agree) that the Person of the Year for 2011 is the man in the picture at the top of this post: Mohamed Bouazizi.  Who is, or rather, who was Mr. Bouazizi?  Here is a description from an article on him from the website African Success, where I also copied the picture from above:

Mohamed Bouazizi  was a Tunisian street vendor born March 29,1984- died January 4,2011, poured petrol over himself on December 17, 2011 and set himself, alight in front of the office of the Governor of his region, life turned upside down in Tunisia and the fires that he lit has burned until it engulfed the entire country from town to town.
 Photo from African Success
He was a student from Sidi Bouzid and upon his father’s death, was obliged to stop his studies and find a job.Faced with the difficulty of finding a job, he ended up becoming a street seller, without official authorisation and desperate he plied his trade as best he could.

His plight echoed the hapless fate of so many thousands and thosuands of young Tunisians, seduced by the promises of western education, yet frustrated and thwarted by a visionless, un-productive, corrupt power structure which dominated the country and suffocated creativity and innovation.


In Tunisia, the President Zine el_Abidine Ben Ali and his family rules his country with an iron bar.

Papers to do this and that, land to build houses on, authorisations of all sorts were obtained by the ‘kind patronage’ of the President and his family.

Mohamed didn’t have the right papers and on the 17th December[2010] the police confiscated his good and threw him out of the market because he wasn’t paying the right dividends to the people the President had put in place. Apparently slapped on the face by Faida Hamdy, it has been upheld that the indignation was the 'spark' that led to him setting fire to himself. Her family have always upheld that she never touched him and a witness who had originally affirmed that she did slap him and has since added that it wasn't true that she didn't slap him.

Mohamed decided to protest by the only means he knew and poured petrol on himself, took out his lighter and burnt himself, becoming the hero and initiator of the ‘Jasmin revolution,’ which brought down the President and his family on 14 January 2011 and made him a martyr and hero of the nation.
The tragic story and suicide of Mr. Bouazizi lead to the ousting of Tunisia's president, and that could have been the end of the story.  A small story of and tragedy and triumph for justice in a small African country took place, but the rest of the world kept going along with business as usual.  But that did not happen.  Here is a piece from an article Reuters on why the The Times of the United Kingdom named Mr. Bouaziz their Person of the Year:

Bouazizi' death from his wounds in January prompted protests across Tunisia, forcing autocratic President Zine Al-Abidine Ben Ali to flee the country. Soon afterwards, millions took to the streets in Egypt, Libya, Syria and elsewhere to protest against repression, corruption, poverty and joblessness.


The uprisings unseated despots in Libya, Egypt and Yemen as well as Tunisia, while Syrian leader Bashar al-Assad's writ is disintegrating and other authoritarian rulers in the region are eyeing the tide of public anger with nervousness.



Tunisia has since elected new leaders through peaceful democratic elections.




In an October interview with Reuters, Bouazizi's mother Manoubia urged the new leaders to honor her son's sacrifice by helping poor people like him.





"Nothing would have happened if my son had not reacted against voicelessness and a lack of respect," she said.





"But I hope the people who are going to govern will be able to keep this message in mind and give consideration to all Tunisians, including the poor."





Photo from Reuters

Without the death of Mr. Bouazizi, not only would there have not been an uprising in Tunisia, there probably would have been no Tahrir Square, no Arab Spring, no Indignant's protest in Spain, no austerity protest in Greece, no protests on the Kremlin and no Occupy Wall Street.  Without Mr. Bouazizi, both Hosni Mubarak and Moammar Gaddafi would probably still be in power, and it is possible that no one in America would be talking about the wealth disparity between the 99% and the 1%.

While I sincerely hope that no one ever imitates the drastic actions that Mr. Bouazizi took, we who care about these protest movements need to realize what he did, why he did it, and pay tribute to him and what has happened since then.  May the memory of Mohamed Bouazizi live on.  And may the movements around the globe that he helped create continue to gain momentum in 2012 and beyond!

Thursday, December 29, 2011

Movie Review: Hugo

Poster from Rotten Tomatoes

Rating:**** out of 4
When I first saw that Hugo would be the new Martin Scorsese movie, I had two reactions.  Naturally, the first was to be excited because the great Scorsese was coming out with another movie.  But also, I was a bit skeptical about how good the film would actually be.  It is Scorsese, so I knew the film wouldn't be bad, but he has never done a children's film before (not even close).  But could he pull off the caliber of film that he has made with so many of his other classics with Hugo?  The answer to that is a resounding yes.

The film is about a boy named Hugo (of course) who lives alone, inside the clock tower of the train station in Paris, France.  He is able to survive day-to-day by stealing food, along with other materials which I will discuss in a moment.  Hugo (played by Asa Butterfield) also maintains and runs the clocks of the train station, which he has been doing since his alcoholic uncle (played by Ray Winstone) who had been taking care of him, ran away.  He hopes to keep up the facade that his Uncle is actually running the clocks so he is not taken to an orphanage.  Why is Hugo being raised by his Uncle to begin with?  More on that in a minute as well.

One of the places Hugo steals from inside the station is a toy and gadget store run by an older man named George Melies (played by Ben Kingsley).  He has apparently been doing this for a while, and one day, is caught red handed stealing gadget parts by Melies.  In addition to confiscating the parts he stole, Melies also confiscates a sketch book that Hugo has mechanical with drawings to some kind of robot.  This, of course, is why Hugo is stealing the gadget parts.  But why is he building a robot?  And just as important, why is Melies so shocked and insistent on keeping the notebook after Hugo has repeatedly begged him to give the notebook back?

 The movie soon reveals that Hugo actually is building a robot, specifically a small robot called an automaton (which are real, by the way).  It was the something that his father, a clock builder and gadget repairman (played by Jude Law) was working on fixing.  Hugo's father, who appears only briefly in the film, found the automaton in a burnt-up museum.  He doesn't get to work on it very long, as he is killed in a building fire, and thus, forces Hugo to move into the train station with his drunk Uncle (without the dignity to even process this news properly).  Without moving in with his Uncle, he risks being sent off to an orphanage.  Hugo then dedicates his life to fixing the automaton that his father did not fix.  In addition to the need to finish what his father started, he feels there is some bigger meaning that will reveal itself by fixing it.

As to why the drawings of this robot are so important to Melies, I will let movie fell in that detail, along with telling the rest of his story.  Melies was a real person, and you may look him up if you like.  Students of classic cinema already know who he is, and revealing his story will not necessarily spoil the twists and turns in the film, although I would prefer to not do so during this review.  However, I will offer this picture as a hint.  It is also a picture that is very relevant to the storyline of the film:

Photo from Wikipedia
  
This is one of those family films that adults and children can  watch together, and both will actually enjoy.  Although it may not be appropriate for small children (7 and under probably), Hugo is a film that is fun, adventurous, and quite friendly to younger viewers.   An example of this includes a chase scene through the station in the first few minutes of the film where Hugo is being hunted down by the Station Inspector (played by Sacha Baron Cohen), and his faithful sidekick, Maximilianus the Rottweiler.  By the end of the scene, your child will be probably be laughing out loud (you may be too) as Hugo makes his escape.

It should be noted that the Station Inspector, who is obsessed with tracking down thieving children and sending them off to the orphanage, comes off as the stereotypical children's story villain at first.  By this, I mean he is mean, unnecessarily authoritative, and seems to take at least some pleasure in making the lives of the young miserable (think of a villain from a Dickens novel).  The Station Inspector also has a leg brace, which come off as part of the joke in the opening chase scene and several proceeding scenes.  He even struggles to chase after Hugo due to his leg and the inconvenience of the brace.  

But as the film progresses, we learn that he is disabled because of any injury from "the war" (World War I), and he will never be healed again.  Here, we learn a lot about who the Station Inspector really is, and we begin to feel sympathy towards.  While it doesn't excuse the cruelty he gives towards young children, it at least explains it to a point.  Scorsese, through the Station Inspector, also seems to provide some important lessons to younger viewers on the disabled, as well as the true nature of people who act "bad" or "mean".  This may or may not be intentional, but kudos nonetheless, sir!

There are several different themes to this film which are quite relevant to the human condition that adults, and children to some extent, will be able to relate to.  One theme is human isolation, and the need for human connection.  Different individuals in the film, including Hugo, struggle with the desire to connect with someone else.  Hugo is able to fill the need for connection when he befriends Isabelle, who is also George Meile's Goddaughter.  Chloe (played by Chloe Moritz), is a perky young girl who relishes the fun and excitement she reads in the adventure novels she borrows from the train station library.  She offers to help Hugo out with his quest to retrieve the notebook, repair the automaton, and discover the secret behind her Godfather.  Through Hugo, she also finds friendship, as well as a fulfillment of her own desire to be adventurous.

Another important theme to the movie is the need to fulfill one's purpose, and the sorrow one feels when they are "broken", and cannot do this anymore.  It is similar to an athlete who is severely injured and can no longer play their sport, or musician who had broken his or her instrument and cannot afford a new one.  Like the automaton that Hugo is trying to fix, Melies is certainly broken and cannot fulfill his own purpose (I will not reveal what that purpose is in this review).  At one point, Hugo states something very important to this theme of when referring to the majesty and harmony of clocks and other gadgets:
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.
Those who are more spiritually minded will no doubt see religion and the purpose a person has bestowed upon them by a higher power.  Indeed, Scorsese is a devout Catholic, and such beliefs may or may not have gone into this part of the film.  Fair enough.  For those who are more skeptical of spiritual beliefs, such as myself, they should not fear this concept being brought up.  Even if you don't believe any God gave you a purpose, does it not stand to reason that it is human nature for one to feel they have something in life they feel skilled at and can use to help the greater good (for me, it is teaching and writing).  I will now digress from this topic before I delve further into a philosophical wormhole that I cannot escape.

Going back to the film, Hugo is exciting, emotionally-driven and slightly thought-provoking all at once.  This film is already receiving massive amounts of Oscar buzz, as it should.  The movie is well-acted (Kingsley and Butterfield both deserve consideration by the Academy for nominations), well-written (excellent story by John Logan and Brian Selznick) and well-directed, of course.  Martin Scorsese is capable of making a fabulous children's movie, which convinces me there probably isn't any type of film he couldn't make.  Perhaps next time Hollywood has a script for the next "out of this world" Sci-Fi flick, or that next big Romantic Comedy, someone should give Marty a call.

Sunday, February 27, 2011

Movies 2010





Picture from iStockphoto



Tonight is the Oscars, and being a complete film buff (some would say movie snob), I have decided to look back at the films of 2010 with this post.  You may be wondering a few things.  First, most people do their film review of 2010 at the end of 2010, and it is almost March 2011.  Very true, but I don't get to see some of the previous year until the early into the next year.  Often times, it takes award shows that come after the new year for a film that is worth watching to get known.  Also, it is often the case that when a film comes out, it is in limited release and doesn't open at the local theater until January or February.  I allow myself some time to catch up on what I can and then give my favorites. 

By the way, I haven't seen every film of 2010.  Not even close.  I am a teacher, so I don't have the time to go out and see every film.  Therefore, what I discuss here is based on the 30-40 or so films I saw last year. 

Finally, I realize this is generally an education and current events blog.  But there is more to my interests in life than that, and I have never set out to put limitations in what I would discuss on this blog.  Films are a real passion of mine, and I don't mind using this blog to discuss them (it's my blog, and I'll do what I wanna).  I have even thought about doing my own film reviews on this blog, and I still haven't ruled that out yet.

In any case, directly below are my Top 10 films of 2010.  As I said, there are many films I did not see in 2010, so that may be why certain movies did not make the less.  Nonetheless, here is the list of the best movies I did see:



Picture from Screen Rant

1) The Social Network
2) Black Swan
3) The King’s Speech
4) Inception
5) Shutter Island
6) The Town
7) Winter's Bone
8) Restrepo
9) Scott Pilgrim vs. The World
10) Dinner For Schmucks





Next, here is the list of who I think SHOULD win Oscars tonight, not my prediction who will win.  As far as best picture goes, I have no idea who it will go to (it will, of course, be between The Social Network and The King's Speech).  In any case, here are my personal picks:


Best Picture: The Social Network
Best Actor: Colin Firth, The King's Speech
Best Actress: Natalie Portman, Black Swan
Best Supporting Actor: Christian Bale, The Fighter
Best Supporting Actress: Melissa Leo, The Fighter
Best Director: Darren Aronoksfy, Black Swan (Won't Win Though)
Adapted Screenplay: Aaron Sorkin, The Social Network
Original Screenplay: David Seidler, The King's Speech
Best Documentary: Restrepo
Most Deserving Production Category Nominee: Trent Reznor and Atticus Ross, The Social Network (Music-Original Score)

Finally, here is a list of miscellaneous awards of my own.
 
Worst Movie: Alice in Wonderland
Funniest Movie: (Tie) Dinner For Schmucks/Hot Tub Time Machine
Best Action Movie: Inception
Best Drama: The Social Network
Saddest Movie: Restrepo
Best Action Sequence: Fight scene in the dream hotel, Inception
Best Suspense Film: Inception
WTF Movie of the Year: Black Swan
Best Love Scene: Natalie Porman and Mila Kunis, Black Swan
Funniest Scene: Hotel room, drug-induced fight scene, Get Him To The Greek
Best Romantic Comedy: Scott Pilgrim vs The World (hey, technically, it is a romantic comedy)
Best 3D Movie: Jackass 3D (OK, this was the only 3D movie I watched this year)
Biggest Oscar Snub: Emma Stone, Easy A (Best Actress Category)
Honorary Mention:  Winter's Bone.  I mention it because I come from rural Missouri, where this film is shot and takes place.  Now, I do come from central Missouri, and the film takes place in southern Missouri in the Ozarks.  Still, I am familiar enough with the life and culture of the area, and am quite impressed how authentic it looks.  In addition, one of the major roles in the film was given to a local wire-cutter in one of the towns near-by.  Kudos to Hollywood on this one!